My God

Sermon Delivered to the First Unitarian Church

Christine Robinson (Minister)
Albuquerque, New Mexico
April 28, 1996


This past winter and spring, I've been offering a set of sermons about theological options for Unitarian Universalists. We've talked about Liberal Christianity, Transcendentalism, Humanism, Atheism and Agnosticism, Pantheism and Panentheism. We've covered a lot of territory. I have established, I hope, that in this church a variety of beliefs are not only tolerated but valued for the richness that various perspectives can give us.

Therefore, I hope that no one will be threatened to hear what I believe, and that you will remember that you are under no obligation to agree with me. This is not the kind of church where the minister dictates what the people believe -- quite the contrary. It is up to you to decide whether or not this way of looking at God makes sense to you and would serve your life.

I was a Humanist through my youth. I believed that religious freedom meant freedom from freedom from the creeds, rules, and trappings of religion which my friends embraced. I believed that it was foolish to believe in things which science couldn't prove and reason didn't recommend. I didn't believe in God and I was a tad contemptuous of those who did. I believed that when you died, you died. I believed that human beings had glorious possibility and that human history was a history of ever increasing wisdom, freedom, justice, and wealth. I wasn't entirely blind to the problems of society and the evil in individuals, but it seemed to me that progress was being made and that potential was unlimited. The task of humanity was to create a heaven on earth, in my opinion, and that seemed religion and philosophy enough.

In my early 20's, I discovered that this was not very satisfying for me and that I needed more of a sense that there was a transcendent dimension to my life. I came to realize that human history had not always been a matter of progress upward and onward forever, and that with our nuclear weapons we were endangering the very survival of this human race upon which I was pinning all of the meaning of my life. At the same time, events in my life forced me to recognize the darkness and yes, even the evil, in the core of my heart and the hearts of others. My own self-righteousness was punctured; but worse, it seemed that everything I had believed in and lived for was coming apart, was inadequate, or unworthy. This kind of experience is sometimes called, "the shipwreck," a time when all the things that held you up suddenly break apart and leave you grasping for planks in an infinite and dangerous sea. Many of us have experienced a hard or mild form of shipwreck sometime in our lives. It is very painful, and yet the precursor of growth.

The next couple of years were times for me of wondering what I should do with my life, what values to live for and how to find sustaining meaning. It was not an easy time, but, in some ways, it was a wonderful time, for rays of intellectual and emotional and even spiritual light regularly blessed the general grayness.

For a few years, everything seemed open, and new ideas and new possibilities were on every hand. I remember listening with fascination to the reports compiled by Elizabeth Kubler-Ross of near-death experiences, so alike and so consistent with other kinds of mystical experiences. I realized that it was unscientific to reject those accounts just because they did not fit my old theories. Suddenly it seemed as if there must be something which survived after death, at least for a while. For me, this was a window into the realm of the things which could be guessed at and even experienced, but not proved. I began to believe that there was more to the universe than met the eye. Hard on the heals of this new understanding came a book, picked up by chance in the college library, which introduced me to new and exciting ideas about God which were not simplistic or absurd or contrary to reason.

The book was called The Divine Creativity. I picked it up because I recognized the publisher's logo on the spine. It was the same one that was on the hymnal used in UU churches in those days: Beacon Press, publisher of quality academic paperbacks and books on pressing social issues, owned by the Unitarian Universalist Association. They're still at it, by the way, they made a bundle of money for us a year or so back with Marian Wright Edelman's The Measure of Our Success. But anyway, that day in the library, I picked up The Divine Creativity by Henry Nelson Wieman. I took it home, read it, and re-read it, and found myself transformed. In the pages of that book, I found a God I could believe in.

Henry Nelson Wieman began his work in the 1920's, a time when older theologians were quite seriously trying to prove the existence of God by logical and other means. Wieman diverged from that trend, saying that the question, "Is there a God?" is the wrong question. He defines God in such a way that God exists by definition, and goes immediately to the question of what we can know of the nature of this God. He further states that the divine can only be known insofar as it is involved with our lives, but he believes that we humans can discern the workings of God in and among ourselves.

Henry Nelson Wieman says that God is the Something in our environment, however defined, upon which humans are dependent for security, welfare, and increasing abundance. The question is, therefore, not "Is there a God?," but "What is the character of this Something upon which humans are dependent?" Wieman wished to make the question of the reality of God a moot point so that we could concentrate on defining, knowing, and living for God.

The theological questions, then, are not philosophical as much as they are personal. Forget, for a moment, the ontological argument, and even the Bible, and think on these things:

Where, in your life, do the really good things come from?
What brings them into your life?
What gives you a real "high?" Is it the beauty of nature?
The love of others?
Artistic or personal creativity?

Mysticism?
Service to others? What brings a lump to your throat and a tear to your eye? Those are the things upon which we are dependent for our larger living and greater purpose, and, therefore, they point us to our God.

How do you cope with the real lows of your life? What helps you through the hardest times, the deaths, the betrayals, the discovery that, in some situation, the cards are inalterably stacked against you? How do you cope with the knowledge that you will die? Is it the care of others that gets you through those things? A faith that it is possible to turn almost anything into good? Is it Grace? Hope? Once again, these are clues to the way God works in our lives.

Henry Nelson Wieman says, in essence, that what seems to him to be of supreme worth in this life is creativity, by which he means the set of processes, relationships, and activities which bring something new and unique out of the stuff of the universe. He believes that creativity comes only in interchange: of one person with another, or one person with a tradition, or even by one person in dialogue with his or her own soul.

Wieman calls this "creative interchange," and for him, this is the Divine work in this world. It is participation in this divine creativity which he believes gives meaning and value to our lives, and he says that we should live in such a way as to maximize this force in the world. If we are true to this ideal, of a life lived in service of creative interaction with others and our world, we will find in our lives a power that will transform us in ways we cannot do ourselves, and will find ourselves saved from our self-destructive propensities and leading the fullest possible life.

Creativity is, of course, one of the major attributes of God, who is almost always credited with creating the world by bringing something totally new into being: the universe! Oftentimes, the basic outline of the creation story is that God made a perfect and wonderful universe and either people, or demi-gods or animals who act like people, messed the place up.

Wieman's theology points to a different story. Wieman leaves as an unknown how the physical universe was created, since we humans were not involved in it. But the creation is not something that happened in the past and got messed up, according to Wieman; rather the creation is an ongoing process that is still going on today, and we humans participate in it because the divine creativity is within us as well as a force acting on us. We catch a glimpse of God in our lives and participate in divinity when we are struck with a new idea, when we create a work of art, when we work out a new way to come to consensus, when we examine our assumptions and decide to change them, when conversation or reading or a lonely thought changes our thinking, when we persuade another person to a new way of looking at things, teach our children, come to terms with our own experience; in all of the ways we grow, we experience the divine creativity and participated in the creation.

Wieman's God is not a person or even a thing. God is rather a force or a process; the process which eternally brings the new into the world. No omnipotent, omniscient, everlasting being is judging us from a high-off seat of perfection. This God is rather the force the impels our growth, the process that brings the new into the world, the nudge we sometimes get to make the best of a bad deal.

There's a T-shirt you might have seen, which says "Please be patient, God isn't done with me yet." It brings up a picture of the perfect, loving Father patting his imperfect and unfinished child on the head. Henry Nelson Wieman's T-shirt would read, "God isn't done yet. Please lend a hand."

Why call this force or process "God" when it so differs from the "grandfather-in-the-sky" picture of God which most of us had as a child? Because, for all the difference in definition, these two concepts serve the same purpose in our lives. They center us in a way of living which has a larger meaning than simply our own pleasure or survival. It helps us to put both our joys and our sorrows in a larger context than that of our small lives.

There are those, and I did this for awhile myself, so I know something about this, who say that they fear they will be misunderstood if they say they believe in God, and therefore they reject the word. But I ask you, which one of you would refuse to tell your spouse or your child that you loved them, just because what you mean by "love" is utterly different from what the teen-aged rock star means or bears no relationship to the sticky sentiments on greeting cards? Shall we give up on the word, love simply because only 25 years ago even intelligent and loving people were defining love as "never having to say you're sorry?" Of course not. Love is too valuable a word to lose, and although we struggle to define it in a worthy and useful way, we still use it.

God is a similar word. Granted it has been variously defined, cruelly used, and horribly abused -- almost as much as love. But we are still stuck with it. If the danger of using the word is that others will misunderstand us, then the danger of not using it is that we will not have a language with which to express, even to ourselves, the things we most care about and value in our universe.

Through seminary, I enlarged on this understanding of the Divine, which is one corner of a larger field called Process Theology. I also studied social theology, the interaction of church and world. I had a lot of trouble deciding on a topic for my master's thesis, but finally had a brainstorm which excited me greatly. I rushed to my advisor and told him that I had decided to write my dissertation on Henry Nelson Wieman's theology as it applied to issues of social ethics and social justice. My advisor leaned back in his chair and puffed on his pipe and thought a moment and said that it seemed to him that that had been done, and directed me to the file of dissertations done at Boston University. Sure enough, it had been done -- a generation ago by a doctoral student named Martin Luther King Jr. As I remember his dissertation it was a discussion of how the divine creativity could change society when the interchange of ideas changed minds and hearts. Few in the history of the world have proven the thesis better than King did later in his life.

What gives our life meaning? Is it not the progress we have made to overcome our problems, explore our world, to grow in faith, to raise our children, to create beauty, to make a better world? These are the ways our ordinary lives participate in the Divine Creativity.

Many of us are thrilled by the arts, which is a most obvious play of creativity. Nature, too, creates, through the process of evolution, and some have become so caught up in the wonder of the evolutionary process that they use that as their metaphor of the divine. But the divine creativity is at work in many more simple and homey ways: "Every night a child is born is a holy night," we say, as we celebrate the birth of a new and unique being into the world. We cry at weddings as we launch a couple into a new phase of their life and wish for them a love which will make both new. We take satisfaction in our gardens not because we will starve without the produce they provide but because we take pride in having created something where only earth and seeds and water were before. "All this is God," said Anne Sexton, in surprise,
Right here in my pea-green house
And I mean, though I often forget,

to give thanks..." In my pea-green house, in my weedy garden, in this church, these children, in you and in us as we together come to larger understandings and greater wisdom. The divine creativity. This is not an orthodox version of a stern and masculine God, indeed, it more nearly resembles the philosophy of those who worshiped several nature Gods and a creative mother-goddess above all. It is a way of looking at the world in which there is only one reality, which is spiritual and material together, just as we, human beings understand ourselves as spiritual and material together. What is spiritual about us and about our universe is not the perfection which we will never gain (that is the orthodox view) but the process of growth, evolution, creativity and change which everything, from rocks to the most complex animal goes through. Divinity, in this view, is not the creator who once made everything and the laws to govern everything. Rather, divinity is the process of creation which is ongoing in the living part of the universe, and which is available to each of us as a force to benefit, enjoy and thank in our everyday lives.

To me, this seems a very satisfying theology, for it suggests that what is highest in spirit is also deepest in nature. What I most care about and care for in myself and in others is also the essence of the universe; creativity and growth. It also suggests to me a way to live and a set of values which seem to work for me.

This creativity is not just an ideal, you understand. It is a real force, which we draw upon and experience in our lives. It is this force which allows us to create and be creative, which nurtures our growth, which impels us to work through repressed problems in psychotherapy, to struggle back to health after a mental breakdown, to learn from our pain and grow to accept even our death. The experience of those who have had to deal with these life crises is that they could not handle things all alone but did find help and strength from sources they may not have even expected would be there. Theology, to be adequate, must explain this common experience; Wieman explains it as a tuning into the very forces that are at the root of our world.

"Religio", the root from which our word religion comes, means tying, binding, becoming whole. Wieman's theology is most suited to that quest, it seems to me, for it ties our lives to the deepest ways of nature and gives us a place in a universe which is a unified whole.